Published Articles

• Today in Street Art: Matt Evans finds sweet spot where art, technology collide
• Teen sensation Callista Clark debuts with soulful, boundary pushing country EP
• Rising Appalachia returns with new album that explores their “Southern trinity”
• Pianist Julie Coucheron makes an unexpected debut with Atlanta Symphony
• Atlanta Soundtrack: India.Arie, SheBloom, Autobahn and this week’s Spotify playlist
• Atlanta Soundtrack: Usher, Young Antiques and Puddles Pity Party
• Atlanta Soundtrack: Citizen Gold, Isaac Hayes, BROOKLYNN and our new Spotify playlist
• Music clubs take cautious approach to reopening amid rebounding Covid-19
• Atlanta Soundtrack: Lazuli Vane, Cat Power and Curtis Mayfield
• Today in street art: Atlanta’s muralists turn to prints, doodles, virtual work amid Covid-19
• Today in street art: To mark Cinco de Mayo, we give you Frida Kahlo, lots of Frida Kahlo
• Nikki and the Phantom Callers debut with full-bodied classic Southern Americana
• Today in street art: “It’s motivating to try to reinvent,” says Dr. Dax, aka Dax Rudnak
• Today in street art: Marge Radford finds her style and says happily, “I’m very geometric”
• Morris Robinson breaks stereotypes for the Atlanta Opera’s “Porgy and Bess”
• Today in street art: Angie Jerez takes natural approach to taming concrete jungles
• The Atlanta Opera’s “Salome” gives dimension to Strauss’ controversial classic
• Q&A: Aaron Shackelford, new director of Arts@Tech, arrives with high ambitions
• Today in street art: Vivid alleys, corners, walls make aging Reynoldstown, well, artful
• Today in street art: Ashley D. Thomas paints with color, culture and community in mind
• Today in street art: The collaborative spirit between Chris Alvarez and Courtney Hicks
• Bunnie Hilliard’s passion for kids books led her to open Brave + Kind Bookshop
• Today in street art: Zipporah Joe’l and the Stacks Squares Mural Project
• Today in street art: Karen Anderson Singer and her Tiny Doors ATL
• Q&A: Common talks growth, his new album and performing with the ASO
• Soprano Christine Goerke Finds Her Voice, Sings In The ASO’s Season-Ending Fidelio
• This Week In Street Art: Meet The Art Behind The Atlanta Street Art Map
• Mammal Gallery Serves As The Anchor Of West End Development
• Atlanta Jazz Festival To Celebrate 42 Years, Announces 2019 Lineup
• Mammal Gallery Signs Lease On New Location, Hosts Otherworld Encounter
• Q&A: Talking Guitars With Lunar Vacation
• Le Maison Rouge Sets The Stage For Maria De Buenos Aires
• Robert Spano Joins Fort Worth Symphony As Principal Guest Conductor
• The ASO Unveils Powerful 2019–20 Season, Celebrates 75th Anniversary
• The Guthman New Instrument Competition Melds Music And Technology
• Unheard-Of//Ensemble’s Powerfully Evocative Album Includes Local Ties
• Atlanta Jewish Music Festival Welcomes Fresh Ideas With New Director At Helm
• Goldyard Reigns Supreme With Consistency, Support And Music With Morals
• Bosco Reflects On Speakerfoxxx Friendship, Returns To SCAD For DeFINE ART
• Atlanta Opera Announces A Bold 2019–20 Season, Celebrates 40th Anniversary
• Atlanta Music Project Signs Lease On Future Headquarters
• Keeyen Martin Joins Ken Ford For The Founder’s Day Inaugural Concert
• First listen: Cold Arizona’s “Open Highway Headstart” moves with bruised elegance
• Q&A: AIR Serenbe provides creative flow for Nelson Patton and Deantoni Parks
• The loss of Speakerfoxxx, Margaritaville’s Atlanta demolition plans and more music news
• ArtsATL’s top local albums of 2018 (Curated and oversaw what were dubbed top albums of 2018)
• Phil Kline’s Unsilent Night fills the streets with sound
• Q&A: Teresa Lynne talks Divapalooza, a show for charity by local female performers
• ArtsATL’s guide to holiday artists’ markets
• First listen: Rose Hotel reflects on dialogue with “Conversations”
• First listen: SLONE shares a message of love with new album “Emancipation”
• Concert pick: Anna Kramer & the Lost Cause provide comfort rooted in Southern rock ‘n’ roll
• Review: Creative play reigns supreme at the High’s new Greene Family Learning Gallery
• First listen: The Night Shift. releases a funk-infused new single “Sugar Water”
• Politics and art merge at Turn Up/Turn Out, a party with Little Tybee for voter engagement
• First listen: Rosey’s psychedelic blues-flavored “King of the World”
• First listen: Lazuli Vane

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